Showing posts with label time travel. Show all posts
Showing posts with label time travel. Show all posts

Time Tide

By happenstance of typesetting, it stands alone on the page at the top of a vast white space that figures the future.

Finally, the flow of my life changed after meeting Rich Murray. The passing of time feels different now, and I'm deeply grateful to dwell with him in the movement of that tide.
The words are Mark Rifkin's in the acknowledgements to his Beyond Settler Time: Temporal Sovereignty and Indigenous Self-Determination.

Note how the temporal sharing buoys the figure of the lover-partners. It is a formulation that neatly captures individuality-in-connection without subsuming it in relationship.

And so for day 2185
06.12.2012

Crono Locomotion

Contemplating the hypothesized state of chronesthesia

Together with language, mental 'time travel' allows us to share our experiences and our hopes with many other people, building networks of combined knowledge that are continually growing with each generation. Science, architecture, technology, writing – in short, everything that allows you to read this article – would be impossible without it.  

David Robson for the BBC

http://www.bbc.com/future/story/20161108-weve-got-human-intelligence-all-wrong
How would this be connected to musicality?

And so for day 1754
02.10.2011

Sticking to Travel: Burr-love

3 Figures from Anne Michaels Skin Divers taken out of order.

Minarets of burdock
Thus begins "Wild Horses".

For the longest time, I was captivated by the junction of architecture and botany in this image. And almost equally as long, I felt a tension between the slender pointed tower of "minarets" and the globe-like burr (which resembles more the onion-dome features of Russian Orthodox churches) until at long last it appeared that the relation between the tower and the plant as a whole might make the image cohere. Alas. Not. I still view in my mind's eye burdock as a great branching plant not at all like a slender single tower. Yet as Amy Lowell gives us the evening primrose "comrade of the stars", Anne Michaels arrests the imagination with calls to prayer that stick.

Next.
All love is time travel.
From the closing lines of "Fontanelles" (last poem in the book) which is a trip through embryology and geology in a set of variations on ontogeny recapitulates phylogeny. Let us take advantage of the figure (Fontanelles allow for rapid stretching and deformation of the neurocranium as the brain expands faster than the surrounding bone can grow.) to add more material to the theme of time travel from another source, characters from Peter Ackroyd, English Music
Instead we discussed what he used to call 'English music', by which he meant not only music itself but also English history, English literature and English painting. With him one subject always led to another and he would break off from a discussion of William Byrd or Henry Purcell in order to tell me about Tennyson and Browning; he would turn from the work of Samuel Johnson to the painting of Thomas Gainsborough, from pavans and galliards to odes and sonnets, from the London of Daniel Defoe to the London of Charles Dickens. and in my imagination, as he talked, all these things comprised one world which I believed to be still living &madash; even in this small room where we sat.
[... pages and pages later ...]
For what is time but the very passage of music from generation to generation?
And the means to time travel through love ... reading of course and writing too.
Colette said, when one we love dies
there's no reason to stop
writing them letters.
And snipping the burdock into the shape of a minaret.

And so for day 1265
31.05.2010

SHORTS ON SHORTNESS OF LIFE

To judge a book by its cover, this one is an homage to Jenny Holzer. Holzer on screen and cityscape (from the days of Truisms) and George Murray in book work (Glimpse) trade in aphorisms.

One of my favourites from Murray:
The only reliable form of time travel is living.
And so by moving forward in our reading we turn to the past and open the book Jenny Holzer: The Venice Installations to Michael Auping's curatorial statement in which we read "Given the character of Holzer's texts, the quietude of Holzer's antechambers is decidedly unsettling." Consider the opening and closing of "LAMENTS 1987-89".
THE NEW DISEASE CAME.
I LEARN THAT TIME
DOES NOT HEAL.
EVERYTHING GETS
WORSE WITH DAYS.
I HAVE SPOTS
LIKE A DOG.

[...]

I WANT TO GO TO
THE FUTURE PLEASE.
As Murray writes, "We're already being studied by the future."

And so for day 1244
10.05.2010